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		<title>[H] [i] [R] [M] v5 is &#8220;released&#8221; today &#8230; what comes next</title>
		<link>http://flightorchestra.wordpress.com/2011/11/11/h-i-r-m-v5-is-released-today-what-comes-next/</link>
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		<pubDate>Sat, 12 Nov 2011 01:00:12 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
				<category><![CDATA[Musics]]></category>

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		<description><![CDATA[to explain how you can obtain [H][i][R][M]v5 is as follows:
QR code links are posted on flightorchestra.com
Use your mobile phone (equipped with a QR code reader) to link to pages specifically formatted for mobile devices. The pages are built to be touched and everything on each page can be saved/downloaded/streamed. this is ideally how i want you to have these EPs<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=602&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><img src="http://flightorchestra.com/wp-content/uploads/2011/11/MASHfront.jpg" height="500" width="500"></p>
<p>i type here with very very mixed emotions.. as i have come to the end of a project that has easily been the most challenging as an artist in my life (thus far). How I Realized Myself and all of its versions have spanned about 4 years by my count. friends, lovers, enemies have come and gone but my art has remained constant and probably saved my life more than once in this time. </p>
<p>i find myself a remarkably different artist from the one that started this project. this is something that i definitely hoped i would achieve but didnt really think about it when i started. but its happened for sure. the world around me has changed and i believe my place in it has as well, ultimately for the very best. i consider myself very lucky to live where i can truly express myself without any fear of repercussion. not everyone on this planet can do that at this point. heres hoping the world continues to evolve. </p>
<p>to explain how you can obtain [H][i][R][M]v5 is as follows:<br />
QR code links are posted on flightorchestra.com<br />
Use your mobile phone (equipped with a QR code reader) to link to pages specifically formatted for mobile devices. The pages are built to be touched and everything on each page can be saved/downloaded/streamed. this is ideally how i want you to have these EPs.</p>
<p>There are also mirror pages built for standard lap/desktop browsing on the site. you&#8217;ll have to find them but it shouldnt be hard for you. everything on those pages are also meant to be saved/streamed/downloaded.</p>
<p>the release is primarily of the digital sort.<br />
i feel like CDs are old, old the like music (entertainment industry) ideas they represent. the 21st century will bring artists new rights and i feel like printing our music to a medium that effects our planet is old. Its time to take the handcuffs off. our planets resources are not infinite. the planet can be damaged (at our doing), is capable of shifting under our feet, warming and biting us back if we are not careful. Printing plastic shit that even has the possibility of ending up in a dustbin or landfill (megadustbin) does not help things in my view. </p>
<p>So, 100 copies of [H][i][R][M]v5 have been printed in total, further broken down into increments of 33 per each version. These CDs are made to be given or, maybe sold, at live performances or if you happen to know and interact with me personally. The reason for this is I am not a businessman. i cannot afford to be one, especially in the music &#8220;business&#8221; where its so expensive just to be heard. its a waste of time that has many effects beyond just what happens to your wallet. its emotionally and psychologically taxing, to the point where one could consider giving up their art practice if the &#8220;business&#8221; doesnt pay attention to the work. </p>
<p>let me give you some advice.<br />
make your art at any cost.<br />
share it.<br />
see how people react to it.<br />
do you like that reaction?<br />
Y- good keep it.<br />
N- change it or if they hated it and thats what youre going for then youve done it.<br />
do something with the intention of sharing it or bringing people together and not to sell it. your intention colours your work for better or worse.<br />
consider other ways to pay for it that have nothing to do with the entertainment &#8220;business&#8221;.<br />
that &#8220;business&#8221; has its own problems in staying relevant and is struggling to survive.<br />
consider asking your government to subsidize your work. and if you live in a place that already does this, ask your government to fund it more. think bigger. think about education. think about your community. think about JOBS that involve art. </p>
<p>pop music, and its Jurassic, will always find a way to exist, but art is under serious attack by those who believe the market will solve everything. we all know this is, if you will excuse the pun, a sales pitch with very hollow results.<br />
ORGANIZE<br />
yourselves or your artistic community.<br />
we are seeing amazing examples of this currently.<br />
perform for each other. dont wait for businessmen to notice you, again they are busy trying to survive. you will outlast them this way. in the future, while they ask governments for a &#8220;bail out&#8221;, you&#8217;ll be using public subsidy with much greater purpose and intent. </p>
<p>to obtain my CD if you dont know me <a href="mailto:how.i.realized.myself.inquiry@gmail.com">ask.</a> perhaps i can even perform for you, your friends, and/or other artistic type people. i have been known in the past to return that favor. </p>
<p>my next music project for flight orchestra is called <em>THE MICRODANCER.</em> it will sound decidedly different than How I Realized Myself, but youve probably come to expect that of me now. in short, i am recording a bunch of material that, upon release via my website, will be randomly selected (artwork is also random) and made available to you via download. ive also incorporated this concept into how Flight Orchestra will perform in the future but thats way too complicated and boring to explain here, you&#8217;ll just have to hear it for yourself. </p>
<p>No CDs will be printed for this project, or for subsequent projects.</p>
<p>i will try my best to make something that looks and sounds like something that i think people who want something different from their art would want to hear/see. but in a less inner orientated way, in the future, i want to be mindful in making things that people can use, beyond its obvious way, in their everyday lives. i feel this is different than &#8220;pop&#8221; and more sustainable.<br />
sort of like audio (digital) knitting.</p>
<p>thank you<br />
-David Wilson<br />
11th November, 2011<br />
Oakland, CA<br />
USA  </p>
<p>any flight orchestra inquires can be sent <a href="mailto:how.i.realized.myself.inquiry@gmail.com">here.</a> </p>
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		<title>redemption</title>
		<link>http://flightorchestra.wordpress.com/2011/07/03/redemption/</link>
		<comments>http://flightorchestra.wordpress.com/2011/07/03/redemption/#comments</comments>
		<pubDate>Sun, 03 Jul 2011 21:16:29 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
				<category><![CDATA[FICTION]]></category>

		<guid isPermaLink="false">http://flightorchestra.wordpress.com/?p=538</guid>
		<description><![CDATA[I fell... I believe... <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=538&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>There was a struggle<br />
&#8220;Nicolau&#8230; the deal&#8230; that wasnt part of the&#8230;&#8221;<br />
And a pistol handle struck the back of my head.</p>
<p>I fell&#8230; I believe&#8230; </p>
<p>But, I had that dream.<br />
I had that weak moment.<br />
It was similar to that time when mother saw me in the school yard, having a fist fight with an older, dangerous boy.<br />
And how she scolded me. How she cried..</p>
<p>But, it seemed I fell forever&#8230;<br />
for ever and ever and never hit the ground.</p>
<p>Not once.<br />
I just fell and fell, and spun.<br />
I screamed, I knew I did&#8230; continuously<br />
I fell and spun like an airplane without a tail.<br />
I fell endlessly.<br />
I vomited and tasted it&#8230; or, believed I did.<br />
And stars shattered in front of my eyes.<br />
And I fell faster and faster and faster&#8230;</p>
<p>I must have been there for days. </p>
<p>I had arrived in New York City, during the summer, for an ultimate meeting to complete the deal. One final transaction, one final shake.</p>
<p>Things had seemed to go to an elaborate, latent, multi-point plan. All the points had met in their proper course, the plot was systematic&#8230;covert and overt..<br />
We all knew the outcome, and we didnt have to discuss much.<br />
It had happened so openly, where needed. We had plotted the whole thing, used each tool to perfection.<br />
It was engineering genius, a well oiled craft.<br />
And we knew it&#8230;<br />
A thing to be studied..</p>
<p>I arrived to the tallest office building in the lower part of Manhattan, and ascended to Mr. Frank&#8217;s office, that of the broadcasting mecca. I carefully slipped past a rather swarming press corp in the lobby. We were not to answer any questions, or even address the media. Not even to give our identities. Let them eat static. I passed without a question from anyone. </p>
<p>But I stopped, possessed.<br />
And whispered quickly to a female journalist near the back of the throng. I was just another man in a tailored suit.<br />
Until then</p>
<p>The broadcasting company had just completed a long, tense, arduous, but ultimately fruitful public hearing with the Federal Communications Commission. Something frivolous like anti-trust or defamation or something. That too, this public display, was part of our trajectory. But, we had put a piece or two strategically there. He&#8217;d been there since the 1980&#8242;s sometime, when we had purchased our first major piece. And when summoned, carried out his (their) part of the contingency without flaw, whether they were complicit or not. </p>
<p>Some had been, but it was far too late for that. </p>
<p>Mr. Frank and I laughed together as I arrived and made comfortable in his large executive office. He dismissed a group whom he had been meeting with, and made room for myself at a large, reflective desk for a more pressing matter.<br />
He poured me a drink. </p>
<p>&#8220;Nicolau, when you own the road, you charge the toll. Its only fair. It keeps the balance. The sun never sets&#8230;.&#8221;<br />
Mr. Frank hadnt noticed, but I had lost the scent. Lost the plot. I had heard the same speech from Robert and countless henchmen, read from the same doctrine, the same script. The same delivery over and over again, from nearly the same pulpits, albeit different locales, as if that would make some profound difference to me. The script read about owning this and that. The new kings, the new giants. The new government. The new freedom. The new law. The new order. This, this and that. </p>
<p>But I remembered one thing, there and then, my small feet buried in warm sand, an ocean wave crashing beyond me, a laughter, some music somewhere, a smell of food.<br />
I was a child.. </p>
<p>&#8220;But, Mr. Frank sir, what is it that we really own now?&#8221;<br />
And Mr. Frank smirked, sipped carefully from his drink, and continued the speech I had heard in so many tones, so many dialects, so many times implicit and explicitly.<br />
&#8220;We must prepare for our enemies..&#8221; He said, gravely, then confidently, as this meant more investment, more capital, more to own and more to buy and sell. </p>
<p>I thought back to Vidigal.<br />
And walking towards the beach, with her, the girl I would marry. We knew it since we were very young children, as neighbours. </p>
<p>I felt then as if I owned the entire universe, stars, planets, gods, the entire thing.<br />
It did not feel like this ownership.<br />
The ship, the machine, the script, the engineer, all began to sink off the coast of my childhood..</p>
<p>Frank could not possibly have noticed this, dear god&#8230;</p>
<p>He was talking still, and had turned his bulky leather chair towards a large panel of windows. His back was facing me. A position of strength in that, he knew he had complete control over the situation. And of course, the reinforcements in the video technology that lined every edge, every corner of this stronghold suite.  I sat in a large comfortable chair at one side of a very large reflective desk, in a very large office, with very large windows. Frank spoke towards Manhattan, sprawling, ingesting his words as if he delivered the holy doctrine of the empire.   </p>
<p>But I went back to the favela, and her&#8230;<br />
I heard her voice, felt something touch my heart, grab it and take over the pumping of my blood.<br />
for a moment<br />
then relinquished &#8230; back under my own device..</p>
<p>I have regrets&#8230; but, perhaps the worst was leaving her there. Without notice, without warning. Swept away, to the undercurrent. She owned the heart that beats in this chest, the blood that travels north to south, east to west. She owned it all and never paid a real. Not a pound, no yen, or dollars, marks. Not one.<br />
I dont think she ever got the chance to know it.<br />
Owned me completely with no deal, no multi-point plan, no plots. No strikes or counter contingencies. </p>
<p>Now, it&#8217;s that Frank owns me, my heart, my blood, the blood that travels south without air, and returns north to get redeemed. The air that carries my voice, my duty, my purpose. We&#8217;ve talked about cars. He likes the Rolls Royce I&#8217;ve bought but left in Europe, enough to pay for it to be imported here and refurbished for himself.<br />
I agreed then because I could care less.<br />
I had lost the taste for blood.<br />
And prayed that none of these bastards could smell it&#8230;</p>
<p>He was the man that I feared, that worried me the most.<br />
He was the top of the pyramid, the point piece. Enlisted to mold, modify, and manipulate opinion. He was undoubtedly the part of the machine that cost our consortium the greatest amount to secure. But worth every dollar. He had built an empire, our empire, and was busy at disarming the most influential country in the history of the modern world, using their freedom as his weapon. Building a new nation within a nation. It had all happened so fast, approximately a quarter times faster than we had calculated. There were plans to use force to take what we deemed as rightfully ours, but none was ever needed. With the financial resources pooled in astronomical amounts, the proper pieces moved in, behind, or completely disappeared with little or no effort. </p>
<p>I thought of the school yard fight, when I was a young boy. And my mothers anger. Her disappointed at my violence. And I remembered my annoyance in her. My father, I never knew him,<br />
but what I understood, he was a boxer.<br />
I made him proud. I was a warrior.<br />
Mother scolded, and spoke of examples. Examples I had set for the other children, the attention I had gotten from the older boys, who knew young men, who did bad things. Like smoke, and gamble, and steal, and murder.<br />
How things would never change..</p>
<p>My mother never knew what became of me.<br />
I had just disappeared one day during the summer and had not returned.   </p>
<p>I was alarmed into the present.<br />
Mr. Frank had received a call, an urgent one.<br />
He had swiveled his chair, his face crumpled as if taking a punch. I should be listening, but I had lost it, my heart bled, my eyes shed, and my focus completely lost as if tossed from the window. </p>
<p>Mr. Frank had discovered the weak link right before his eyes, in a man entrusted with so much. </p>
<p>There was a pounding at one of the office doors and a group demanding entry, their questions like bullets. </p>
<p>And things became slow.<br />
Mr. Frank became red.<br />
Mashed his telephone onto his desk, and arose shouting and gesturing. Frothing, barking, like some possessed dog. He shouted but I heard nothing. Let him eat static. He slammed two fists onto his large desk, demanding, but I was deaf. </p>
<p>A secretary appeared from a side office door, having been summoned, shocked and concerned at the group being held at bay behind another office door. Mr. Frank, enraged, dispatched her with a slap, as if she was interrupting a private family matter. She disappeared blinking and sighing..</p>
<p>Two men shuttled in from a secret door behind me.<br />
The questions like bullets now flying everywhere and more loud. I heard the air behind my head move and shiver..<br />
And I began to fall</p>
<p>My eyes opened in an alleyway, thick New York City summer air penetrating my nose, my throat, my lungs, spoiled everything everywhere.</p>
<p>Two men loomed over me.<br />
One had obtained my pistol from my jacket and pointed it directly between my eyes. I inched myself against a brick wall, the men loomed closer. </p>
<p>Suddenly the traffic of Manhattan becomes loud.</p>
<p>&#8220;Get up, leave.&#8221;<br />
The armed man, turned his arm and pistol, and shot the other man, who crumbled next to him. </p>
<p>&#8220;Quando você ver sua mãe novamente, diga a ela que eu disse Olá.&#8221; </p>
<p>I jumped to my feet, ran as far and as fast as I could possibly, found a cab, and escaped. </p>
<p>My trip to London went very quickly, though I stayed in England for a very, very, very long time.<br />
I had found him exactly where I knew he would be, but it took some time to approach him safely..</p>
<p>Afterwards..<br />
At Heathrow, I sat in the terminal waiting for my next, and hopefully last flight for the foreseeable future.<br />
The weather was terrible, so the delay would be long. I hid behind my very large printed copy of the Guardian, obtained in the Underground station.<br />
I heard some music.. some old electric English pop song. </p>
<p>I thought of her..<br />
and thought of home. </p>
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		<title>le bruit  ::: whats is all this noise about!?</title>
		<link>http://flightorchestra.wordpress.com/2011/06/25/le-bruit-whats-is-all-this-noise-about/</link>
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		<pubDate>Sat, 25 Jun 2011 22:39:03 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
				<category><![CDATA[Musics]]></category>

		<guid isPermaLink="false">http://flightorchestra.wordpress.com/?p=449</guid>
		<description><![CDATA[the noise&#8230;.. surely, if you follow your local indie music scene, or happen around a downtown metropolitan area, or a rural, or suburban artistically aware community, youve come across a group, troupe, or groups.. or a maverick&#8230; who fashions themselves a noise or performance artist de resistance. maybe im talking to you? one who has <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=449&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>the noise&#8230;..</p>
<p>surely, if you follow your local indie music scene, or happen around a downtown metropolitan area, or a rural, or suburban artistically aware community, youve come across a group, troupe, or groups.. or a maverick&#8230; who fashions themselves a noise or performance artist de resistance.</p>
<p>maybe im talking to you?<br />
one who has diverged with cobbled circuitry, pots, pans, or laptop in hand.<br />
one seemingly (or maybe not coz its punk rock dont-cha-kno)<br />
steeped thoroughly, like a fine cup of tea, in avant gardes&#8217; deep tradition of social commentary through public expression and (re)capture of public space.</p>
<p>or &#8230;.to quote..<br />
&#8220;a loner Dottie&#8230;. a rebel&#8221;<br />
<img src="http://www.mannythemovieguy.com/images/paul_reubens_pee_wee_herman_the_return_music_box_fonda.jpg" height="200" width="200"><br />
not to poke fun as i would definitely camp with the avant garde-ists any day, any where..<br />
but something strange happens, at least for me.</p>
<p>pin one of these purveyors, these provocateurs, these audio conspirators down<br />
and ask them, simply, why&#8230;<br />
why all that noise? </p>
<p>why why why? </p>
<p>but then..<br />
Perhaps its all right there, explained in the simple act of doing&#8230;<br />
perhaps no words can encapsulate the angst, alienation, hatred, love, pain, joy, loneliness, or sublimity of it all..</p>
<p>i am barking at the wrong dog&#8230; maybe&#8230;..<br />
<img src="http://i2.squidoocdn.com/resize/squidoo_images/-1/lens10039841_12690709134_clothes_for_small_dogs." height="100" width="100"></p>
<p>when witnessing a &#8220;noise&#8221; performance, am i responsible to read between AND(!?) fill in the lines? am i capable of this?<br />
to fill in the blanks&#8230; to unlearn and re-learn what i have learned/unlearned..<br />
from moment to (piercing/droning) moment<br />
to formulate a personal devil&#8217;s fifth?</p>
<p>am i simply not participating enough, not close enough to the ground with my ear..<br />
i missed the train to the knowable unknown..<br />
where more questions propagate more questions into the infinity&#8230;<br />
like unraveling a big cable knit sweater which someone keeps knitting<br />
ah-and knitting&#8230;ah-and knitting&#8230;ah-and knitting&#8230;ah-and knitting&#8230;<br />
<img src="http://www.mannythemovieguy.com/images/paul_reubens_pee_wee_herman_the_return_music_box_fonda.jpg" height="200" width="200"></p>
<p>but the act of being a noise artist seems at a glance so simple, so pleasurable, almost a breeze of fresh air in a crowded basement&#8230;.. it seems that most cities or suburbs who have a &#8220;scene&#8221; consisting of what we will call more traditionally focused &#8220;bands&#8221; also contain the reciprocal, or ANTI-reciprocal, noise scene&#8230;.</p>
<p>its almost a new language or a new (gasp) sex&#8230;<br />
seemingly without the guilt and more accessible.</p>
<p>forgive the voyeurism but<br />
i want to know why, what, who, where, from whence, and when </p>
<p>what exactly are we saying to each other?<br />
::: there is something to this noise&#8230; .or maybe not.. :::</p>
<p>first a quick trip to Wikipedia for a little precedent.<br />
[http://en.wikipedia.org/wiki/Noise_(music)]</p>
<p>the noise &#8220;scene&#8221; as i find it today has roots dating to early 20th century, deriving itself via artists who were challenging the notion of what music &#8220;was&#8221; to them. there seems to be an embracing of technology during the industrial revolution, which presented new possibilities in terms of the creation of music. as the movement evolved, anti-bourgeois and anarchistic sensibilities became intertwined within the &#8220;noise&#8221; thing&#8230;<br />
all things that i can relate to in some way more or less. </p>
<p>but here is where i stick in the fly paper&#8230; or get bug zapped a bit&#8230;</p>
<p>the current noise scene seems to be spreading like virus (digital) from system to system (cities, towns, communes, suburbs) via new and quickly evolving technology and networking&#8230; challenging what music &#8220;is&#8221; and equally challenging how one obtains that music&#8230; but what is the message, if any, of the NEW noise artist (anyone who has fashioned themselves such say since 2000)</p>
<p>what language and messages are we telling to one another, and are they similar to those artists in the early to mid 20th century. </p>
<p>or, are &#8220;noise artists&#8221; of the 21st century just making a bunch of noise&#8230;</p>
<p>::lets examine:: </p>
<p>perhaps my first really shockingly good experience<br />
in the &#8220;noise&#8221; thing was a performance of this:<br />
<span style="text-align:center; display: block;"><a href="http://flightorchestra.wordpress.com/2011/06/25/le-bruit-whats-is-all-this-noise-about/"><img src="http://img.youtube.com/vi/jf3u7Vcetp0/2.jpg" alt="" /></a></span><br />
which was given within The Lab&#8217;s art.tech festival in San Francisco during 2010.<br />
prior to witnessing a performance of this&#8230; i really thought the noise scene<br />
as MORE pretentious than say, the synth-pop 1980&#8242;s emulating thing because<br />
i had serious doubts that either &#8220;scene&#8221; had any real idea of the cultural context<br />
(from an american perspective) regarding the underpinning of their aesthetic.<br />
Future Sausage to me, was an inspection of american ideals.. told from (to me)<br />
a hackers perspective (a relatable perspective for me).<br />
a comment on that latent duality that is (at times) the american ideal..</p>
<p>i remember exclaiming to my friend whom i had attended the performance with..<br />
&#8220;this is a hack!&#8221; in a great, if not disturbing way..<br />
at this point, to me, the noise scene had something to it</p>
<p>next i became aware of this:<br />
<span style="text-align:center; display: block;"><a href="http://flightorchestra.wordpress.com/2011/06/25/le-bruit-whats-is-all-this-noise-about/"><img src="http://img.youtube.com/vi/-FdXzE_dgpo/2.jpg" alt="" /></a></span><br />
The DPG (Discord Proving Ground) based in Tokyo, Japan. According to their manifesto:<br />
<em>&#8220;DPG&#8221; started in Tokyo in the summer of 2007 is an audiovisual sound<br />
experiment organization whose concept is an electron &amp; electric wave &amp; electricity.<br />
Engineers gathered basing this concept announce the experiment in this project.<br />
The experiment purpose of this project is for the testee to<br />
experience the electrochemical reaction and the influence on the magnetic field, and to prove oneself.</em> </p>
<p>Comparatively to Future Sausage, and no less compelling, the DPG seems to encourage advanced usage of technology in expressing an anti-bourgeois and anarchistic attitude. however, there seems to be a paradox in this&#8230; being, the &#8220;price&#8221; of &#8220;ownership&#8221; of the public space. to rage against the haves, in the DPG&#8217;s case, you seem to have to have alot of gear to throw a stone, or more, an electron or two, which may betray the original &#8220;noise&#8221; ideal, that of creating with found, or even industrial elements. </p>
<p>&#8230;BUT BUT BUT&#8230;<br />
for me, I always find myself watching the DPG&#8217;s youtube videos with amazement and astonishment&#8230; at the elegance and discordance of all that electromagnetism.<br />
the DPG is compelling..</p>
<p>next&#8230; a detour..<br />
recently, i was sitting in a downtown Los Angeles sports-ish/punk rock bar with good friends Carolina, Eric, and Danny watching a Stanley Cup Final hockey game. It was the mid-afternoon and the pub was quite comfortable with general pubery going on. Most were watching the game on a giant movie screen which took up a large part of the east facing wall.<br />
In mid-conversation we were invaded by this:<br />
<img src="http://flightorchestra.files.wordpress.com/2011/06/itch6.jpg?w=510"><br />
<img src="http://flightorchestra.files.wordpress.com/2011/06/itch2.jpg?w=510"><br />
<img src="http://flightorchestra.files.wordpress.com/2011/06/itch4.jpg?w=510"><br />
<img src="http://flightorchestra.files.wordpress.com/2011/06/itch3.jpg?w=510"><br />
<img src="http://flightorchestra.files.wordpress.com/2011/06/itch5.jpg?w=510"></p>
<p>the Itchy-O Marching Band who were touring from Denver CO<br />
<span style="text-align:center; display: block;"><a href="http://flightorchestra.wordpress.com/2011/06/25/le-bruit-whats-is-all-this-noise-about/"><img src="http://img.youtube.com/vi/0guvpU-W8sI/2.jpg" alt="" /></a></span><br />
frankly at first, me (and im sure everyone else in the pub who wasnt in the know)<br />
were completely shocked upon the arrival of these folks. Some ran, others ran to the<br />
back of the room, as the troupe quickly converged on a small rising that preceded the<br />
giant movie screen showing the hockey game. One diligent hockey fan kept his position in front of the screen, bending and bowing, in the midst of this 20 person strong band, refusing to lose his focus on the game (!lol). </p>
<p>Unique (to me) to this troupe, the noise-makers were completely self sufficient. they contained small samplers and various noisy things that were powered by batteries that were worn on each respective band members back. meaning, the person playing the sampler was wearing a power source on their back that powered their sampler etc.. etc..<br />
think Ghostbusters proton packs..</p>
<p>the troupe had in tow very alluring dancers, folks dressed in various costumes (a giant chinese dragon, another dressed as a post-apocalyptic pimp..), and still other androgynous characters dressed as newsies.<br />
all dancing wildly within the pub to the bands percussive noisiness&#8230;<br />
all part of the situation </p>
<p>for what its worth ::: theres something happening here &#8230;</p>
<p>the performance then spilled outside onto a busy downtown street&#8230;<br />
<img src="http://flightorchestra.files.wordpress.com/2011/06/itch1.jpg?w=510"><br />
where i caught up with one lad who followed the troupe filming their take over&#8230;<br />
a conversation happened:</p>
<p>me &#8211; you know these guys?<br />
dude &#8211; uhhh<br />
me &#8211; are you at liberty to say?<br />
dude &#8211; sure sure&#8230;. just ..(looks off towards troupe marching away from him down street)<br />
me &#8211; so where are they from?<br />
dude &#8211; uh, all over.<br />
me &#8211; i heard they were from Denver (i had asked the &#8220;pimp&#8221;)<br />
dude &#8211; uh, yeah. well&#8230; sorta from Denver by way of Oakland and some other places.<br />
me &#8211; i live in Oakland!<br />
(we talk a bit about Lake Merritt and SF, and schools)<br />
me &#8211; i get the SI (situation international) vibe from these folks for sure, like retaking the public space&#8230;<br />
dude &#8211; yeah, yeah&#8230; (glances off as if we&#8217;re being watched)<br />
me &#8211; uh, okay well take it easy man. this was great&#8230; good luck to y&#8217;all&#8230;</p>
<p>but something was achieved here,<br />
a peaceful and enjoyable domination of public space by art.</p>
<p>:::: or even in other cases, a domination of private space by art (aside from my blog hahah)  ::::<br />
<span style="text-align:center; display: block;"><a href="http://flightorchestra.wordpress.com/2011/06/25/le-bruit-whats-is-all-this-noise-about/"><img src="http://img.youtube.com/vi/sU5fnNGTWgE/2.jpg" alt="" /></a></span></p>
<p>this is what the &#8220;noise&#8221; scene is aiming to achieve..  a domination of space, be it public or private, given that our space is being further dominated by forces whose relentless desire is to market (see latent duality) us. While the same argument could be made for any type of performance art, the noise genre has a special nuance, in that ANYONE seemingly with access to a thing, or things, to make a sound can participate, and collaborate, or experience it.. if they choose. </p>
<p>the possibilities here are endless&#8230;</p>
<p>Originally, and admittedly, i dismissed the whole noise &#8220;thing&#8221; as just a bunch of noise from folks who wanted to dominate a space in any way possible.<br />
(you see this alot if you have grown up in Los Angeles like i have) </p>
<p>but the noise scene is not this.<br />
it is almost a folk genre, its roots perhaps not so deep, but we may be experiencing its cultivation into another artistic form, or genre&#8230;given time and conditions to develop..<br />
i truly hope the noise artists of the 21st century take heed to those who came before them, in exploring, and supporting their creative desire with warm dense matter..</p>
<p>otherwise the resultant scene may just be a noise, a whimper&#8230;.<br />
instead of a wave..</p>
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		<title>an open letter: anyone can play guitar</title>
		<link>http://flightorchestra.wordpress.com/2011/02/12/an-open-letter-anyone-can-play-guitar/</link>
		<comments>http://flightorchestra.wordpress.com/2011/02/12/an-open-letter-anyone-can-play-guitar/#comments</comments>
		<pubDate>Sat, 12 Feb 2011 09:36:46 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
				<category><![CDATA[FICTION]]></category>

		<guid isPermaLink="false">http://flightorchestra.wordpress.com/?p=406</guid>
		<description><![CDATA["You thought the grass was greener
But your imagination lied
It was just a dream
And your dreams don't count
When the real world comes around"<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=406&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div>
<p><em>&#8220;julie stands beside the window, head full of additive</em></p>
<p><em>sophie wants an explanation, julie says shes not too good&#8230;&#8221;</em></p>
<p>echoed , reverberated&#8230; and then it was rock and roll and they were gods.</p>
<p>very cheap beer, snuck in to the bedroom only amplified things further. two angry pimple ridden teen age boys in a self made solice rebelling against everything and nothing. there were two guitars in the bedroom, one brought and played until worn by Robert, the other glinting in the track lighting, barely touched by James.. almost a symbol of what could be if James put down the math book, stopped listening to his father and mother, and just went with it. James, brilliant, had already headed off to the east coast for college, leaving Robert a year behind to fend for his proverbial self.</p>
<p>Robert had older friends, moreso than his age. so he was a bit alone, this, his last year of high school and he fucking hated it. he hated the suburbs, he hated his school, he hated boredom so fucking much it made him puke, or, beer and anger made him puke&#8230;. or beer, in large quantities, squared, made him puke. the limits were limitless but Robert didnt care because he hated math, his class, his classmates, he probably hated you too</p>
<p>Robert loved himself though&#8230;</p>
<p>James tossed back a swig of cheap beer and, at the foot of his bed, sat, and leaned his head back onto the mattress, the punk rock anthemizing a moment of mild-alcoholic supremacy.</p>
<p>&#8220;Do you think your mom and dad saw us bring that up here?&#8221;</p>
<p>&#8220;Shit no, they dont care.&#8221;</p>
<p>and they didnt..</p>
<p>Though James was in university now, he came home for winter and summer breaks, he did as he pleased, and was still legally a minor. his mother stay at home, very sweet and worrisome, his father an anomaly, math and engineering genius who worked on/for/with automobiles and always seemed to be suing someone or something. James&#8217; dad only sounded normal when discussing math, at any other time he was rather absurd.. maybe it was an act to throw a dog off the scent&#8230;there was an office James or friends were never to go inside, which of course was rummaged through daily, in search of alcohol and/or pornography, and/or both, instead (disappointingly) unearthing detailed blueprints of which only were partially understood.</p>
<p>James&#8217; younger sister, Jennifer, was gorgeous and of course Robert was all in. Jennifer was popular in high school and a couple years younger, and they got on quite well but she wasnt interested beyond being friends with a friend who was friends with her older brother, whom she idolized.</p>
<p>Oh how the heart breaks and mends in but a breath in sonic youth.</p>
<p>Robert always made sure to glance in Jennifer&#8217;s room every time he was over, to either say hello, seem up and coming, or catch a glimpse of anything moderately revealing. He never saw anything that he would admit to&#8230;</p>
<p>James lunged towards the Gibson SG guitar, now ready to be played as it had been unsheathed from its travel case. James traveled with it, but by the look the guitar had not been played much, more a statue to be admired in a college dorm room, street cred. Robert knew James liked how he looked walking through airports, or on public transit carrying a genuine Gibson Guitar case (clearly labeled, Robert helped James pick it out at Guitar Emporium). James could not play for shite but it sure looked good.</p>
<p>&#8220;Dont even, fuckin, think, that I will ever sell this to you, no fuckin way.&#8221; James slurred&#8230;</p>
<p>Robert had a cheap epiphone he had bought at the guitar super store in the city not too long ago and was happy with it, actually he didnt want the SG, the fret board was too big for his short, stubby fingers. he might have inquired about it in passing to make James uneasy. Robert was an asshole..</p>
<p>James began to play, or, attempted to begin to play and it was right fucking awful, his fingers tying themselves together, simple chords collapsing on themselves in brittle whimpers, then  single notes twanging uneasily out of a small subdued amplifier&#8230;James laughed and it was good enough</p>
<p>Robert played via the same amp and was quite proficient, making some chords together and playing a short song he had written with his band about a week earlier. The band, with kids from high school that he only hated slightly, had started performing in the city recently and were awful. But other popular kids watched and beat themselves up to the cacophony so it meant something to someone..</p>
<p>&#8220;Play an E chord James, its easy stop fucking around&#8230;&#8221; said Robert.</p>
<p>He had pride in very few things, but playing guitar was one of them.</p>
<p>They both strummed a chord or two together for a moment, and Jennifer poked her head in the door. Robert played louder over James, forcing her attention, and James gave up, turning to talk to Jennifer. She was interested, concerned, then took a beer from the closet, said a quick hello to Robert and retired away.</p>
<p>Robert melted</p>
<p>James knew it too, but it was unsaid. Robert and Jennifer would never be together, that was just how it was going to be.</p>
<p>The night progressed, and after a few alarming knocks at the bedroom door by James&#8217; father, (and a sweet but worried &#8220;good night by James&#8217; mother) all the beer was &#8220;disposed of&#8221; &#8230; two completely drunk teenagers were contemplating finer points of life, from first person, in the middle of nowhere with everything to look towards and nothing to ponder but looking towards and looking out, destroying because it sucks and building because if we were king we would do it better and fuck you if you didnt think so&#8230;</p>
<p>&#8220;anyone can play guitar James&#8221; said Robert&#8230; &#8220;you just have to do it, like math&#8221;</p>
<p>and Robert played further to demonstrate and James was jealous&#8230;</p>
<p>&#8220;James, i can teach you if you want&#8230;&#8221;</p>
<p>&#8220;Fuck off&#8221;</p>
<p>and years passed&#8230;</p>
<p><em>&#8220;</em><em>ask a simple question the answers might just follow on&#8221;</em></p>
<p><em><br />
</em></p>
<p>the two became young men in totally different processes, James to university, Robert on the street, scratching to and fro. He got that record deal and became moderately famous&#8230; sort of.. James a graduate student still came home for summer breaks, though he stayed on the east coast during winters to visit his girlfriends family.</p>
<p><em>&#8220;You thought the grass was greener<br />
But your imagination lied<br />
It was just a dream<br />
And your dreams don&#8217;t count<br />
When the real world comes around&#8221;<br />
</em></p>
<p>Summer was horrendous and hellish, even at night.</p>
<p>Robert and James sat in the bedroom, drinking beer and listening to punk rock bands they had seen at the festival the night before. Robert was friends with some of them, enemies with others and vice versa and James was jealous. James kept his guitar as an antique but rarely played, he was fucking awful, beyond help, Robert had no patience for it, and often used it as fodder. The two now had less in common, even less that Jennifer was away permanently at university.</p>
<p>This time James was far superior, and the big city amphetamine buzz to prove it:</p>
<p>&#8220;I got a job offer from a government lab, im a fuckin cowboy, im gonna go make missiles&#8221; said James &#8230; and regaled Robert with tales of getting a blow job in a mid-city bar from a girl he hadnt seen since. Robert was jealous&#8230;</p>
<p><em>&#8220;julie talks of aspirations</em></p>
<p><em>hiding from reality&#8230;&#8221;</em></p>
<p>Robert saw James briefly years later at the wedding of a mutual friend&#8230; he had in fact taken that government job, constructing weapons of mass destruction and was very very happy with himself..</p>
<p>Many years passed again, and Robert thought of James every so, when playing LPs of certain songs the two had played terribly together in that suburban bedroom, guitars perched to be played, land to be conquered, women to be met, a king is born&#8230;. galaxy 5 0 0&#8230; beer hijacked.. souls pilfered.. blue prints misunderstood for world domination, zombies, sugar toothed , teething, tad pool, salted &#8230;&#8230;pondered&#8230;</p>
<p>to James&#8230; from Richard:</p>
<p>&#8220;You fucking turd, what if you learned to play guitar&#8230;. Would it have ruined your life, as it sort of ruined mine&#8230;.(Im broke, you still owe me five bucks pay me I&#8217;m hungry) Would it have turned you to the ever-loving dark side, made you that seedy punk rock alcoholic, overeducated, socialist twit who thought  you were entitled to whatever you pleased because you said so, and could prove it&#8230;. would we have played all those dingy shitholes together, that hole in the ground in Tucson (literally a club in a bomb shelter), that room in New York City thats now closed, that dank, dingy, but inhabited by the nicest southern women you could ever hope to find, room in Georgia (Peaches), the now closed hanger in California where I met (and divorced) that bitch (first wife). That festival tour where I met my second wife (during Duran Duran&#8217;s set), and conceived our first child, Simon (knack for the drum kit).. that smokey London club with Red Stripe for one P (met a beautiful middle eastern girl there whom I may name a daughter after if I dont divorce the second wife first).. but you had to make missiles, with your tanks, and your bombs, and your guns&#8230;&#8221;</p>
<p>Robert felt something, not sure what&#8230; and thought as a drag from his silly cigarette cascaded down towards his lungs, past a broken tooth:</p>
<p>&#8220;James you fucking turd, what if you learned to play guitar&#8230;&#8221;</p>
</div>
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		<title>winter update</title>
		<link>http://flightorchestra.wordpress.com/2011/01/22/winter-update/</link>
		<comments>http://flightorchestra.wordpress.com/2011/01/22/winter-update/#comments</comments>
		<pubDate>Sat, 22 Jan 2011 20:52:17 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
				<category><![CDATA[Musics]]></category>

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		<description><![CDATA[flight orchestra will become active again in the coming months, this serves as an update on those proceedings<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=388&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>flight orchestra will become active again in the coming months, this serves as an update on those proceedings.</p>
<p><em>How I Realized Myself</em> project is now near completed. It spans seven EPs total. Version 5 of those EPs will be released as a limited run CD pressing with accompanying MP3 downloads via flightorchestra.com. MP3s for all previous versions are available now via that site, along with selected other works, which includes my 2007 release <em>The Military of Fatima</em>.</p>
<p>specific artwork will accompany each <em>How I Realized Myself v5</em> release:</p>
<p><em>version 1 &#8211; Neo Be Bop Chance Music Construction</em><br />
artwork by Matt Groller ( mattgroller.com )<br />
fonts by Virus ( virusfonts.com )</p>
<p><em>version 2 &#8211; Offensive Recursive Lion Brought </em><br />
artwork by conglomerate</p>
<p><em>version 3 &#8211; Laughing Ourselves to Darth Vader </em><br />
artwork by Benjamin Triouleyre ( altoclark.net )</p>
<p>the CDs will go to press <strong>Fall 2011</strong><em>, and released subsequently in a very limited quantity.  i am hoping to perform these versions if my university schedule allows. thank you for your support.</p>
<p>-david</p>
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		<title>Why mainstream American media is chasing voters away from the polls</title>
		<link>http://flightorchestra.wordpress.com/2010/12/17/why-mainstream-american-media-is-chasing-voters-away-from-the-polls/</link>
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		<pubDate>Fri, 17 Dec 2010 22:20:17 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
				<category><![CDATA[politiks]]></category>

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		<description><![CDATA[The issue of consistently decreasing voter turn out in the United States since the 1950s is of growing concern to every American, regardless of their demographic or political alignment<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=373&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>this is my term paper for my political science class, Fall 2010 at San Francisco State University. the topic was <em>why is voter turn out decreasing</em>.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>The issue of consistently decreasing voter turn out in the United States since the 1950s is of growing concern to every American, regardless of their demographic or political alignment. Despite that trend, in very recent history, voter turn out spiked dramatically during the presidential election of 2008, after a highly contentious campaign, highlighted by intense electioneering from Republican candidate Senator John McCain, and the then Senator from Illinois, Barack Obama.</p>
<p>
Another high profile, and highly contested election day, the mid-term elections, occurred on November 2nd, 2010 in which the Republican and Democratic parties did everything in their collective powers to incite as many voters to the polls, to vote on various state representatives and local ballot initiatives.  Or, were these candidates perhaps doing what they can to keep voters away? Generally on average, voter participation in mid-term elections range from 30 to 40% of registered voters, [McDonald] and around 50% in presidential elections. [Education]</p>
<p>What are some potential factors in reasons why eligible voters are not turning out in numbers consistently during elections over the past 50 years, and what do these voter turn out percentages represent? Are politicians on either side of the political spectrum given the means to convince voters to stay away?</p>
<p>Economic and political conditions indicated good reasons for voters to turn out in larger than average numbers during the Presidential election of 2008. Incumbent president George W. Bush, winner of two highly controversial elections of 2000 and 2004 inspired voters to voice their desire for change in electing Barack Obama. Voter attendance was up almost six percent for the election of 2008, signaling the largest increase in voter participation since 1992.</p>
<p>Personally, as a voter with great interest in the state elections on November 2nd  2010 in California, I noticed via the media, a certain amount of highly charged rhetoric from both sides of the political spectrum, but a decidedly more charged version of that rhetoric stemming from one side.  And it made me think. Has this rhetoric served as the catalyst for the formation of new conservative political parties, inspired a new defiance of state and national government, and created a culture of fear that could, if not balanced by reasonable fact based political coverage, actually inspire apathy among voters. Or violent, politically charged behavior among troubled citizens.</p>
<p>Because data indicates that half of registered voters do not participate in general elections, are voters just flat out mislead and confused, therefore choosing not to vote? Could lack of comprehensive non-biased media coverage, angry or cynical political rhetoric issued by various media commentary, confusing political parties with radical core values, combined with general public mistrust of the political system actually be keeping voters away?</p>
<p>Let’s first examine a few examples, factors, and regulations with historical precedence that determine how average citizens receive their political coverage.</p>
<p>According to Martin Kaplan, the director of media studies at the Norman Lear Center in the Annenburg Communications and Journalism school at USC, Americans tune in daily to their local news to receive information about state, national, and international events.  Local news stations are granted free broadcasting licenses by the Federal Communications Commission based on their agreement to provide local viewers with free information about community issues. This is deemed important by the FCC as a public service to viewers.</p>
<p>In August and September of 2009,  the Norman Lear Center conducted a study of local Los Angeles TV stations during a time when Los Angeles County was suffering from an intense budget crisis. The study recorded their local news broadcasts for a two week period, 24 hours a day, then analyzed the content discussed within each stations broadcast. The study broke down each newscast into an average of a thirty minute block of news, each stations topics were categorized into coverage of state and local government, sports, soft news, weather, entertainment, teasers of upcoming stories, and advertising time allotted.</p>
<p>The study found that on average, the eight local television stations that were catalogued dedicated roughly 22 seconds of each half hour to local civic and government issues. [Lear] These issues ranged from coverage on local budget, law enforcement, education, city and state governmental issues. Of the averaged thirty minute chunk of broadcasting, roughly fifteen minutes was devoted to sports, weather, advertising time and teasers on upcoming stories. This finding was alarming as at the time of study, Los Angeles was in the midst of a budget crisis, an issue that seemingly has deep implications on the publics well being.</p>
<p>In a video presentation posted to YouTube, reporting the studies findings uploaded March 2010, Kaplan makes the point that the head of a group of representatives speaking on behalf of the TV stations studied stated to the FCC that “there is no such thing as the public interest. We broadcasters as content creators monitor what the public wants on a daily basis.” In answer to that Kaplan brazenly states, “What the public wants. Well, I want ice cream, I need a well balanced meal. Apparently, the people of Los Angeles, want, twenty two seconds about their local government. Maybe if they got more than that, they’d want more than that.” [Kaplan]</p>
<p>Kaplan’s assertions imply that a more informed citizen population on their local government would increase voter turn out in state or local elections, based on a voters knowledge of the issues, and the idea that these issues personally affect them.</p>
<p>Can similar issues exist in private cable television coverage of national politics? Could radical and non-comprehensive coverage of national politics be another contributing factor to general voter malaise?</p>
<p>Fox News, regularly billed as the voice of the conservative agenda in the United States sports various conservative personalities and bills its coverage as “fair and balanced”. A particularly emergent voice from amongst its group of on air personalities is charismatic show host Glenn Beck. Beck’s radio and television programs often times focus on conspiracy theories involving the United States government, or President Barack Obama. His, and the Fox Networks ratings led to the August 2010 Restoring Honor rally at the steps of the Lincoln Memorial in Washington DC. Beck hosted the rally, with the intention to, in his words “reclaim the civil rights movement”. [Elliott]</p>
<p>Beck’s TV and radio shows often times focus on conspiracy theories that involve philanthropy groups which, in his opinion, are working to undermine the ideal of capitalism. In July 2010, Byron Williams was arrested after a shootout with police on Interstate 580 in Oakland, California. According to Williams, angered by “ the way Congress was railroading through all these left-wing agenda items“ , was on his way to attack the Tides Foundation and the American Civil Liberties Union offices in downtown San Francisco. [Jabali-nash] Williams was armed with several automatic weapons, and has a criminal history. He was apprehended after injuring two Oakland Police Department officers.</p>
<p>Glenn Beck repeatedly denies having any direct involvement in instructing his viewers to openly attack any specific persons or organizations. Yet, according to Media Matters dot Org, Beck regularly mentions specific organizations and those organizations plans to directly attack him. [Strupp] His on air rants are often times angry, and deeply defiant against President Obama on various religious, social, and political grounds. In the Byron Williams situation, Williams himself was interviewed by Media Matters dot org in which he said specific Glenn Beck programs influenced his decision to carry out his attack. </p>
<p>It should be noted that it is not the fact that there are dissenting opinions or political parties that are openly exercising their differences via the media. That is a natural exercise of politics. But it is the basis on which media entities present these conflicts that is alarming, or not covering them at all, that is detrimental to voter turn out. Within this charged or absent coverage, there seems to be no aim on reaching a broad and beneficial consensus. Politicians in turn, utilize this media, or lack of, to formulate and substantiate their policies.</p>
<p>This is important to highlight because if any political process utilizes angry rhetoric, or lack of consistent coverage, as a barometer for creating policy, this is perceived by the general public as its politicians not working to reach broad and beneficial compromise, that divisive politics and policies are the norm. That attributes to voters perception that the process is not worth getting involved in, and doesn’t directly relate to them. This condition lends itself to consistent decline in voter participation during elections, with the exception being in 2008.</p>
<p>“Let us move from the era of confrontation to the era of negotiation.”<br />
-Richard Nixon.</p>
<p>In an attempt to turn around drastically declining voter turn out rates at the polls, the Reagan Administration in the 1980s eliminated many laws pertaining to governance regarding the amount of time, and type of coverage devoted to the political parties via the media in the United States. The Equal Time Rule and Fairness Doctrine both were pieces of legislation enacted by the FCC in an attempt to provide the public with accurate, credible, and non-partisan coverage of political candidates and issues. These guidelines were relaxed and ultimately rescinded in an effort to combat what was called voter freeze. [Limburg] Despite the relaxation of these guidelines, and a shift towards private cable television political coverage with less content restriction, voter turnout continued to decline. Attempts to reinstate the Fairness Doctrine were thwarted by both President Ronald Reagan and President George HW Bush in the late 1980’s and 1990’s. [Fletcher]</p>
<p>In the 1990s private cable television media took to task initiatives to raise awareness towards a low turn out demographic, that of aged 18 to 24 year old voters. On average, this demographic represents itself at the polls in numbers varying from roughly 35 to 50 percent in presidential elections. [CIRCLE] Various programs such as Rock the Vote were geared towards mobilizing young voters to the polls. However, there was criticism of these programs by right wing media as mobilizing liberal voters, or mandating teenagers to vote liberally.</p>
<p>We have established some very strong social agents, or lack of, at play in the United States, whose goals are to shape the publics’ opinion about their political beliefs, presumably with the intention of attracting as many voters as possible. Or not. Without involving a discussion about the need to change, or a means to change those social agents to better serve the public, lets highlight changes within the political process itself, in efforts to enhance voter interest and turnout.</p>
<p>Perhaps a most extreme remedy to improving voter turn out in the United States is to make voting a mandatory process for all registered voters. This is the case in Australia for instance, where voter turn out is 98% consistently for each of its elections. [Rosenberg] Those who do not vote face a small fine. Voters, if disenchanted with the balloted  candidates can also write in a vote for whomever they wish. This could fundamentally change the way political campaigns in the United States are organized, funded, and carried out due to the simple fact that politicians could no longer expect voter apathy in carrying out, or campaigning on potential policies. The implication that certain politicians rely on voter apathy comes from the negativity in which some politics are covered within the current form of US media.</p>
<p>Some would argue that mandatory voter participation would challenge the fundamental right of freedom of choice in becoming involved with the political process. However, while eliminating the choice to attend the polls, requiring voter participation in elections could increase accountability for everyone involved, from policy makers, to those whom would benefit from those policies, to those who provide coverage of those policies. This substantiates the notion that politics is of the people, by the people, and for the people.</p>
<p>Voter participation in the 18 to 24 year old demographic has been remarkably low, for the last two decades consistently, with an upsurge in 2008. One possible remedy to maintain and build upon the upsurge in this demographic, is to include state or even federal ballot initiatives that would consistently attract these young voters to the polls. In 2008, Barack Obama represented a candidate that appealed to a wide range of voter demographics.  He is a young man who is well educated and worked as a community organizer in Chicago, working in underprivileged neighborhoods to better their conditions. He is well spoken, compassionate, and also confident that his ideals would benefit many, even those he doesn’t represent directly with his politics.</p>
<p>President Obama represents a political figure which inspires many to become involved in the political process (myself included). Using that same ideal, there certainly exists voter initiatives and issues that resonate with the young voter, particularly social or environmental causes. These issues, if presented properly on a state or national ballot,  would inspire more of their attention, interaction, and involvement.</p>
<p>One such ballot initiative, or group of initiatives, could be more robust public funding for the arts. In introducing a state or federal ballot initiative that increases public funding for an entity like the National Endowment for the Arts, or creates a new entity all together, a young voter would feel empowered by directly casting a vote towards an issue that they feel directly affected by, and could directly benefit from.</p>
<p>A survey via Grant Makers for the Arts, working closely with the National Endowment for the Arts, finds during a 1998 survey, coinciding with an attempt by the House of Representatives to eliminate the NEA all together, that 60% of Americans believe the arts should be funded more by federal government grants. [Dimaggio] By introducing federal legislation that increases grants awarded to foundations, schools, and individuals, a voter demographic such as the 18 to 24 year old voter would be mobilized to the polls, voting on policy that directly affects their lives.</p>
<p>Campaign finance reform is also another issue that could benefit voter involvement. The average cost of running a political campaign in the United States, say for example, for a House of Representatives seat, is currently in the millions of dollars [Birnbaum] largely because of costs associated with television advertising. By lowering, or capping the amount of money needed to, or that could be spent during the course of a campaign, whether that campaign is for a House of Representative, Congressional, or Presidential position, this opens the door to candidates that may not be, for whatever reason, financially able to participate at the level of a multi-millionaire. Thus by including more candidates from more walks of life, the political process becomes much more inclusive and represents a more broad spectrum of issues.</p>
<p>Americans will always be deeply interested in the political process, whether by passing fancy or close quarters.  Our people share a core value of fairness and justice, however politics are covered by our mediums, or represented by our elected officials. It is healthy to examine and improve the political process to represent and enable more people to become directly involved.  There is much talk in private conservative media today about conspiracies, and a break down of our political process, without much effort in looking forward or hypothesizing about how our process can improve, reach compromise, or enhance itself to be more representative. In using terms such as conspiracy so flippantly in coverage of state and federal government, failing to cover these processes accurately, or at all, voters are being chased away from their political process, by a private media that has other interests, and a public media that aims to keep things private.</p>
<p>“It does not matter what we say or do; it matters only what is reported about what we say or do.” [Miller]<br />
- Jon Stewart, during the Rally to Restore Sanity and or Fear</p>
<p>Works Cited</p>
<p>McDonald, Dr. Michael. Data Visualization at The Pew Center on the<br />
States. 1 Jan. 2007. Pew Charitable Trusts. 8 Nov. 2010 .<br />
Education, Pearson. National Voter Turnout in Federal Elections: 1960-2008 –<br />
Infoplease.com 1 Jan. 2008. Pearson. 7 Nov. 2010 .<br />
Lear Center, Norman. USC Annenberg | Lear Center Report: sports &amp; weather,<br />
crime, fluff dominate L.A. TV news. 11 Mar. 2010. University of Southern<br />
California. 24 Oct. 2010  .<br />
Kaplan, Martin . YouTube &#8211; New Lear Center Study on Local TV News. 16 Mar.<br />
2010. YouTube. 25 Oct. 2010 .<br />
Elliott, Phillip. Glenn Beck Rally, &#8216;Restoring Honor&#8217;, Stirs Controversy . 26<br />
Aug. 2010. Huffington Post. 6 Nov. 2010 .<br />
Jabali-nash, Naimah. California Highway Gunman Byron Williams Aimed for<br />
&#8220;Revolution,&#8221; Says Cops &#8211; Crimesider &#8211; CBS News. 21 July 2010. CBS<br />
Interactive INC. 2 Nov. 2010 .<br />
Strupp, Joe. Psychiatrists: Beck Conspiracy Show Raises Concerns About Viewer<br />
Reaction | Media Matters for America. 21 Oct. 2010. Media Matters for America . 1 Nov. 2010 .<br />
Limburg, Val E. FAIRNESS DOCTRINE &#8211; The Museum of Broadcast Communications.<br />
2010. MBC. 6 Nov. 2010<br />
.<br />
Fletcher, Dan . A Brief History of the Fairness Doctrine &#8211; TIME. 20 Feb. 2009.<br />
Time Inc. 2 Nov. 2010 .</p>
<p>CIRCLE &gt;&gt; Youth Voting. 2006. The Center for Information &amp; Research on<br />
Civic Learning and Engagement. 6 Nov. 2010<br />
.<br />
Rosenberg, Matt. Compulsory Voting. 2010. The New York Times Company. 3<br />
Nov. 2010 .<br />
Dimaggio, Paul , and Becky Pettit. Surveys of Public Attitudes toward the Arts<br />
| Grantmakers in the Arts. 9 Nov. 1998. Grantmakers in the Arts. 1 Nov.<br />
2010 .<br />
Birnbaum, Jeffrey H. Cost of Congressional Campaigns Skyrockets<br />
(washingtonpost.com). 3 Oct. 2004. The Washington Post Company. 8 Nov.<br />
2010 .<br />
Miller, Nancy. &#8217;Rally to Restore Sanity and/or Fear&#8217; best lines and quotes –<br />
Associated Content &#8211; associatedcontent.com. 1 Nov. 2010. Associated<br />
Content, Inc. Yahoo! News Network. 9 Nov. 2010<br />
.</p>
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		<title>summer vacation is over: history lesson</title>
		<link>http://flightorchestra.wordpress.com/2010/08/15/summer-vacation-is-over-history-lesson/</link>
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		<pubDate>Mon, 16 Aug 2010 05:52:36 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
				<category><![CDATA[Musics]]></category>

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		<description><![CDATA[fall 2010 here it comes&#8230; what a year this has been so far for me&#8230; lots and lots and lots of stuff&#8230; so, i didnt finish a couple things in the time i wanted to&#8230; namely, HIRMv5.. Neo BeBop Chance Music Construction, Flight Orchestra&#8217;s last version of How I Realized Myself. well, its finished as <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=289&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>fall 2010 here it comes&#8230; what a year this has been so far for me&#8230; lots and lots and lots of stuff&#8230;</p>
<p>so, i didnt finish a couple things in the time i wanted to&#8230; namely, HIRMv5.. Neo BeBop Chance Music Construction, Flight Orchestra&#8217;s last version of How I Realized Myself. well, its finished as in recorded but its not packaged in a consumable way at this point, whatever that means. the first four versions are available for free (and always will be) via flight orchestra . com&#8230; v5 will be finished in a releasable product by the end of the year. that is a safe and very attainable target&#8230; i still dont know if i will &#8220;sell&#8221; it per se, but i do want a packaged &#8220;thing&#8221; to be able to eventually play shows again with, maybe organize around, etcetera, etcetera&#8230;.</p>
<p>my &#8220;rockshoegaze&#8221; project, David Wilson and the Bring Lions has turned out remarkably engaging, at least to me (and sorta diverted my attention away from HIRMv5). I made a mistake artistically, when a few years ago, i decided not to play guitar for some period after it being the first instrument i dedicated myself to. this was stupid and very, very arrogant on my part. i was reminded via other very artistic friends on just how amazing of an instrument it is&#8230; coupled with what you would consider traditional rock n roll instruments, of which i have experience playing<br />
(drums, guitar, bass)</p>
<p>in terms of that history, i was a drummer in a couple of bands in Los Angeles a few years ago&#8230; namely for a group called Cider then turned the RBI&#8217;s&#8230; fronted by two wonderful girls whom i hope to make music again with in the future, Karla and Amy Blume. and as a sit in for Get Set Go while they were looking for a new drummer<br />
(i think they were Vermicious K at the time)<br />
more recently, I also played drums for a project called We Are A Rook that was, at the time, myself and Elijah B. Torn</p>
<p>In terms of guitar, my first band was called Mindframe, which originated in Saugus, California. I played guitar and sang (screamed) while having extremely formative experiences with Scott Gillies, Kevin (my brother) and Derek Gledhill. we played alot around the LA scene, and once with the band Far, that was rad. I remember following the band Fractional Importance around, Doug their lead singer would let me come with them early to shows so i was able to get to know different rooms around LA and people. I remember System of a Down, Incubus, Coal Chamber, StaticX, Hoobastank (when they had a trombone player) and Pappa Roach off the top of my head as being super indie at the time and pretty good, though my band never played with any of them. System of a Down was by far the pick of that litter (still is) and Serj their singer was super nice to me in the couple times I happened to see him around the scene.</p>
<p>Anyway, Fractional&#8217;s bassist at the time, John Holiday, was remarkable and an influence of mine. Kevin their drummer, and Doug all together made one of the greatest indie bands i have ever heard&#8230; these days, Doug and Derek (brothers) play in a band called <a href="http://www.myspace.com/weareunarmed">un:armed</a>, who are rad. Flight Orchestra has gigged a couple times with them&#8230;</p>
<p>Scott Gillies plays with shredder Josh Russell in <a href="http://www.thenext56miles.com/">The Next 56 Miles</a><br />
Skot played me their record a few weeks ago at his flat, its pretty tight. Josh plays a bunch of instruments too, he is amazingly talented. Josh Russell and I had a jam about a few times before i played drums in the afore mentioned groups..</p>
<p>After that, I played guitar and sang in a group called <a href="http://www.reverbnation.com/flewus">Flew</a>, with my dear friends Joel Davis and Jason Kuhlman. These are some of my most cherished, if explosive memories. we performed primarily in the Launch Pad scene centered at Mr. T&#8217;s Bowl, in Highland Park, CA. and happened around bands like The Peak Show, Hidden, the afore mentioned Get Set Go, and <a href="http://www.youtube.com/watch?v=Gig6xr-KReI&amp;feature=related">Arlo</a>, who were on Subpop at the time. The boys in Arlo were generous enough to let me tag along with them on one of their tours which is where Flight Orchestra was born. Flew&#8217;s biggest show i think was the chance to play a secret show with the Breeders, which was awesome. Joel has a rad picture with the Deal sisters somewhere.<br />
Joel and Jason are like brothers to me still, to this day</p>
<p>the birth of Flight Orchestra led to myself and Octavius Poirier starting club <a href="http://www.myspace.com/dataage">DataAge</a>&#8230; which is a whole other story!</p>
<p>these were all very formative experiences, and doing my Lions project reintroduced me to writing songs via guitar, bass, and drums.. something i walked away from thinking i was progressing on to something better and somehow more expressive&#8230; i was wrong</p>
<p>David Wilson and the Bring Lions&#8217; name comes from my name of course, and the <a href="http://www.youtube.com/watch?v=6ioMCm3PWZ4">title of a song</a> from one of my favorite <a href="http://www.youtube.com/watch?v=JT3-UydXRjQ&amp;feature=related">bay area</a> bands <a href="http://www.myspace.com/cloudarchive">Cloud Archive</a><br />
they are fucking phenomenal and wonderful humans<br />
<a href="http://vimeo.com/user2475535/videos">Bryan Von Reuter</a> is also one of my favorite artists and a good friend</p>
<p>i am currently tracking my voice to the Lions, and will hopefully perform to support that record too, you can hear that on my website<br />
i am proud of it and its a good step</p>
<p>My next project will be a punk rock record, under the name: Dareplane&#8230; i am looking to examine the bay area punk scene up close and perhaps get involved in a small way&#8230; i remember hearing about this scene years ago when i was living/performing in LA</p>
<p>I feel like all these artistic endeavors will converge again at some point into one thing&#8230; but the road seems really interesting and challenging.</p>
<p>i start university next week, and will be doing alot of maths.<br />
i urge you to challenge yourself and your beliefs.<br />
-david wilson</p>
<p><em>&#8220;we will not give up too soon&#8230;.. not in our finest hour&#8221;</em></p>
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		<title>OFF THE GRID</title>
		<link>http://flightorchestra.wordpress.com/2010/08/15/off-the-grid/</link>
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		<pubDate>Mon, 16 Aug 2010 05:07:38 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
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		<description><![CDATA[Camille looked up at me over her tea, the steam rising above the mock cardboard cup and smiled softly&#8230; the smile that tells me to stop thinking immediately about whatever it was that i was thinking about, and focus on her I knew that look all too well, i got it every once in awhile.. <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=311&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Camille looked up at me over her tea, the steam rising above the mock cardboard cup and smiled softly&#8230; the smile that tells me to stop thinking immediately about whatever it was that i was thinking about, and focus on her</p>
<p>I knew that look all too well, i got it every once in awhile.. though not so much anymore..</p>
<p>i glanced around at the courtyard&#8230; an english afternoon gave mid-spring a balance&#8230; warmth in the sun.. cool in the shade. clouds rushing, clearing, rushing again&#8230;somehow i felt that way too.</p>
<p>&#8220;Drink&#8230; drink..&#8221; Camille insisted</p>
<p>And i put my coffee towards my lips and drank a sip..bitterness, then sweet of sugar. </p>
<p>Two trees were directly behind our small table at the edge of the perfect square courtyard. both were equal somehow in height.. that could not be natural i thought. a wall surrounded the courtyard that pulsed softly flickering murals, which rotated, swiped, and changed all together in slow random patterns. sometimes the wall became translucent, revealing the bustling London street outside, other times it became reflective </p>
<p>though on my third cup of coffee after a long flight i was relaxed..</p>
<p>i smelled fried food&#8230; somewhere, fish or something battered&#8230; and curry and was hungry. Camille knew it</p>
<p>&#8220;Youre hungry, we should go.&#8221; She said&#8230;</p>
<p>&#8220;Mmmm not just yet&#8230;&#8221; i stretched my legs underneath the small, round, french style cafe table and touched the toe of my shoe to Camille&#8217;s. she wryly smiled. </p>
<p>Camille glanced above her, small rain drops beginning to peck upon her forehead.<br />
&#8220;Shit&#8221; she whispered, pressed her palm against her forehead slowly, to dry off</p>
<p>A translucent sheet extended a quick canopy over the courtyard, hardly making a sound</p>
<p>I looked up, the rain was more aggressive&#8230;. with spells of calm </p>
<p>I laughed, and touched Camille&#8217;s forehead, following up what she had missed&#8230;she didnt care<br />
&#8220;Great, now we have to walk in this. Isnt that a song&#8230;&#8221;<br />
Camille stirred her tea&#8230;thinking of going home&#8230;</p>
<p>The sky purpled and darkened progressively in late afternoon, Camille and I chatted over a meal, about everything and nothing&#8230; lights emerged and the atmosphere was sporadically lit by lightening, occasionally reminded by thunder&#8230; nature wanted in..</p>
<p>&#8220;Give me a moment, then we&#8217;ll run okay?&#8221; Camille said, arising and leaving the courtyard, her mobile in hand to tend to a matter</p>
<p>I propped my face in my hand, elbow resting against the small cafe table and glanced about the now empty area, other patrons having since moved on about their day&#8230; when the motion murals allowed me, i saw umbrellaed passersby on the street making their way to Hyde Park&#8230; some folks wearing blue scarves with &#8220;The Bridge&#8221; inscribed&#8230;..</p>
<p>&#8220;why did i ever, ever leave this?&#8221; </p>
<p>a quick flash and suddenly the power in the area was interrupted, then lost completely&#8230; the canopy sheet above me disappeared, rain pounding the exposed courtyard</p>
<p>Nicolau, i knew his shadow immediately&#8230;.<br />
emerged from an opposite entrance and stood for a moment, assessing the area like a lurking escaped animal. I slowly stood up from my table but remained close, perhaps my chair could be a weapon&#8230;i remembered the long, long ago feeling of being out-gunned&#8230;<br />
fear was my friend</p>
<p>Rain continued to drum the confront cadence<br />
Nicolau walked slowly towards me, arriving to my table&#8230;<br />
delivered a very mechanical glare directly into my eyes as if deeply scanning my soul&#8230;.perhaps a mission of sub-missions.. systematically, reached in his jacket chest pocket, simultaneously I reached behind me for a firm grasp on my chair..<br />
i had given up carrying a weapon many, many years ago, along with my association to Nico and his businesses&#8230;<br />
this bird was not cold</p>
<p>Nico held out a small, crumpled and taped together piece of paper that, was at some point long ago, indented into four parts&#8230; and placed it gently on the cafe table. the rain slowly washing away its contents.</p>
<p>&#8220;You&#8217;re no good to turn to, now everything&#8217;s changed&#8221;<br />
 he said, paused&#8230;<br />
 &#8220;You were right&#8221;</p>
<p> Nicolau turned around&#8230;and walked away</p>
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		<title>build a better bridge</title>
		<link>http://flightorchestra.wordpress.com/2010/08/08/to-build-a-better-bridge/</link>
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		<pubDate>Sun, 08 Aug 2010 20:20:30 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
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		<description><![CDATA[&#8220;we must build a better bridge Nicolau&#8230;&#8221; Robert leaned back into his soft leather chair&#8230;.tilted backwards towards the window shielding a remarkably scenic view of Moscow, evening, bustling, oil burning&#8230;. the hotel ukrania spares no expense to its semi-permanent guests I took a long drag upon a fantastically powerful cigar, i would wager Castro&#8217;s finest&#8230; <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=281&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>&#8220;we must build a better bridge Nicolau&#8230;&#8221;</p>
<p>Robert leaned back into his soft leather chair&#8230;.tilted backwards towards the window shielding a remarkably scenic view of Moscow, evening, bustling, oil burning&#8230;.</p>
<p>the hotel ukrania spares no expense to its semi-permanent guests</p>
<p>I took a long drag upon a fantastically powerful cigar, i would wager Castro&#8217;s finest&#8230; stretched my legs forward from the plush couch, underneath an ornate glass topped table and dreamed like a czar&#8230;.<br />
the only accoutrement would be Françoise Hardy as my personal, uninterrupted guest&#8230;. note to self, that could be arranged</p>
<p>Moscow and heir Robert had made me intoxicated in so many ways&#8230;.</p>
<p>&#8220;Your trip to Paris was fruitful?&#8221;<br />
Robert assertively leaned forward in his large chair&#8230;</p>
<p>I snapped to&#8230;<br />
&#8220;Yes, i wasnt there for very long. I did have a very fruitful discussion with our multi-national friend. He was very hurried and didnt have many of details but the plans seem in place. Ours to win he said. Good terms. No conspiracies, no regrets, the sun never sets&#8230;&#8221;</p>
<p>&#8220;Poetic if not charming. You Brazilians can kill with kindness..&#8221;<br />
Robert grunted</p>
<p>My eyes darted but I continued having my way&#8230;.<br />
&#8220;I went to Lyon next. Thought of football, so i brought you this.&#8221;<br />
Going towards my bag, a green and white scarf and other assorted matching team things.</p>
<p>&#8220;Michel says hello.&#8221; was my punctuation to careful thought&#8230;</p>
<p>Robert took the gifts, dawned the green and white scarf, and finished his vodka straight in one swallow, and poured another&#8230;<br />
&#8220;Now what the hell am I supposed to do with this Nicolau! This will not do at any CSKA match!&#8221;</p>
<p>we both laughed a samba.</p>
<p>My senses returned for a moment&#8230;<br />
&#8220;Well my trip to USA got all the results we needed.&#8221;</p>
<p>Robert and his vodka bottle clinging against his gold rimmed spirits glass&#8230; nodded briefly as if already knowing the results&#8230;.<br />
he did write the game theory after all, and was a top piece, respect and caution are due, no matter how comfortable things get&#8230;<br />
i reminded myself by faking a scratch across my chest to assure my pistol was still quickly reachable&#8230;I&#8217;m positive Robert has the same armament, or, private army in a nearby suite listening attentively..<br />
ive always captivated my audiences..</p>
<p>&#8220;Nicolau&#8230;. the better bridge. We need to build a better bridge to America.&#8221;</p>
<p>I leaned back a moment, surprised.<br />
This was to be a victory celebration between two friends&#8230;<br />
not a joint chiefs of staff and strategy meeting..<br />
the traffic from the streets below became louder for a moment, symphonic, then&#8230; coda&#8230; rest<br />
my heart rate followed close suit&#8230;</p>
<p>Robert intensified&#8230;<br />
&#8220;My friends have compiled data, given the contingency that we will go to war with each other. So far as everything stays according to plan, and NATO behaves as it should&#8230;&#8221;</p>
<p>&#8220;..NATO?&#8221;<br />
i interrupted, quickly realizing there was irony in that iron curtain</p>
<p>&#8220;Let me finish Nico, let me finish&#8230;.can i finish?&#8221;<br />
the situation defused</p>
<p>&#8220;We have friends there too. They were expensive but they are there and credible. America and the Soviets will enter into a conflict that&#8230; will result in a magnificent amount of money being accrued, made, spent, loaned.&#8221;<br />
he shifted..<br />
&#8220;Business is the real solider here. Make no mistake about it. The Soviets are what they are and no amount of mutual destruction will ever change that god given distinction. That makes me so proud Nico&#8230; so proud!&#8221;</p>
<p>he drank&#8230;<br />
i listened but wasnt quite there.</p>
<p>&#8220;The better bridge Nico. The Yankee context, born to be wild, dont tread on me, let freedom ring from a cast iron bell hammered with&#8230;.. well, these things are carefully considered. Fear as friend, and business as their supreme truth. We&#8217;ve already won that Cold War. We won it when we separated Yankees out of cities, and demonized others&#8230; now, to assure ultimate victory, turn their ideal into their prison.&#8221;</p>
<p>i assumed it was rhetorical statement&#8230;i had lost the plot</p>
<p>Robert caught the apathy..<br />
&#8220;Nico, your joie de vivre makes you the perfect operative, and why i would never work in the field.&#8221;</p>
<p>i laughed, fittingly</p>
<p>&#8220;The John Wayne, the Ronald Reagan of the United States&#8230;. we can buy them you know.&#8221;</p>
<p>suddenly the fox had got the scent&#8230;</p>
<p>&#8220;Who funded their films? Who&#8217;s been in business in the United States for decades? Who in their government calls for less and less law and restriction on private citizens? Who paid Joe McCarthy? Who pays the bills Nico?&#8221;</p>
<p>&#8220;Well, I know that and you know that. Kennedy knew that too&#8230;&#8221;</p>
<p>&#8220;Ah, so&#8230;.&#8221;</p>
<p>We both took a moment<br />
Robert swiveled his chair and faced the window&#8230;</p>
<p>&#8220;The American&#8217;s wrote a check their ass will not cash and we will be there in collections when the time comes.&#8221;</p>
<p>I was compelled to stand for a moment<br />
&#8220;Robert, the Americans and their new private television&#8230;.&#8221;</p>
<p>&#8220;Телеграфное агентство Советского Союза&#8221;<br />
And suddenly Robert was another beast&#8230;</p>
<p>&#8220;We&#8217;ve done the work, fear as friend, so that is our victory, without fail. Now, to continue that victory requires the most, special, infiltration possible.&#8221;</p>
<p>&#8220;Business.. we go into business&#8221;<br />
i had grabbed the plot.</p>
<p>Robert smiled calmly having done his work for the evening,<br />
but took the brush to canvass for one final stroke&#8230;</p>
<p>&#8220;Thankfully, we have friends who arent red, traceable red anyway, who arent Soviets, arent even from Europe whom we&#8217;ve funded, who will do exactly that. Target the anti-establishment and make them us. Target their non-science agenda, target and fund them, fund the conspiracy theorists, give them ownership and legitimacy, deeply fund the small government ideal, give them absolute ownership over their private mediums. Their liberal agenda will spend money to fight this and we may have an odd defector, but they will lose as our data supports.&#8221;</p>
<p>&#8220;Absolute victory means a lawless United States or, a private society. No questions, ownership is absolute and IS THE LAW. We buy the Dow Jones. Buy oil, buy medicine. Keep it until someone, or, something wrestles it away. If we win the military conflict, we absorb it. If business is wrestled from our control, there is a huge cost to do so. It becomes attrition.&#8221;<br />
Robert joined his hands together&#8230;</p>
<p>&#8220;Because Nico, everyone knows ownership means absolute legitimacy, it means legislation, law. Its convenient and a much less bloody war, more humane even. But we&#8217;ve won it already. Now time ticks, ours to win, good terms. No conspiracies, no regrets, the sun never sets&#8230;&#8221;</p>
<p>Some time later, Robert and I approached a teenage boy on a skateboard, who to us, looked homeless in Orange County California, United States.. struck up a quick conversation, handed him a pre-rolled marijuana cigarette, a TransWorld skateboard magazine, and walked quickly away before we were spotted by anyone else&#8230;<br />
Next stop, San Diego..</p>
<p>&#8220;The Future&#8217;s So Bright, I Gotta Wear Shades&#8221;</p>
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		<title>extreme sport</title>
		<link>http://flightorchestra.wordpress.com/2010/05/09/extreme-sports/</link>
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		<pubDate>Mon, 10 May 2010 00:57:41 +0000</pubDate>
		<dc:creator>flightorchestra</dc:creator>
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		<description><![CDATA[between the golden arches of the golden nugget now thoroughly uncomfortable by such unrelenting weather&#8230; the sounds of cash being made and lost&#8230; everywhere truly inspiring endeavor&#8230; today would be the day i would break on through&#8230;.this was my thread needle street &#8220;for what is a man, what has he got,  if not himself, then <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=flightorchestra.wordpress.com&amp;blog=4223901&amp;post=218&amp;subd=flightorchestra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>between the golden arches of the golden nugget now thoroughly uncomfortable by such unrelenting weather&#8230; the sounds of cash being made and lost&#8230; everywhere truly inspiring endeavor&#8230; today would be the day i would break on through&#8230;.this was my thread needle street</p>
<p>&#8220;for what is a man, what has he got,  if not himself, then he has naught<br />
to say the things he truly feels, and not the words of one who kneels<br />
the record shows i took the blows, and did it my way.&#8221;</p>
<p>the priest gave the recorded sermon so prophetically it almost made me weep&#8230;.. the american archetype of John Wayne was so, so true&#8230; i hear they are going to name an airport after him&#8230;.it was truly, truly applicable here&#8230;this the land, dare say, the building of what happens staying within its cozy confines&#8230;. i was no lovable loser. this is the ultimate boys club, the thing of dreams, the essence of life and definitely worth more than more in the bank for sure&#8230;.. i had my withdrawal slip completely filled out already&#8230;.. in my mind</p>
<p>i wasnt as nervous as i had anticipated myself.. or maybe should have been. i was strangely confident&#8230; i knew i had the goods and was prepared to deliver to the most fitting recipient. everyone would benefit, nature would take its course, it would do what it does&#8230;.. i had been tipped to the presence of armed men but it didnt matter&#8230;. what did that woman know? aside from how to dress&#8230;.i was no lovable loser and to be taken very, very seriously&#8230; my suit and demeanor would do all the necessary establishment of my intent, vigor, and potential&#8230;</p>
<p>after walking past concierge, i could have been invisible aside from an overly friendly bellboy who tipped his funny looking hat and said hello, perhaps he knows the power i carry between these two ears. he definitely recognizes it. i ignored his greeting&#8230; he was lesser, not worthy, not big enough, not handsome enough, not daring and certainly not endowed quite enough&#8230;. he did not drink coca-cola like me&#8230; the real stuff</p>
<p>in the mirrored elevator i breathed deeply, fumbled through my pockets making sure everything was in place (i was allowed to be nervous here, no audience aside from a strange red spot in one of the mirrors, someone should clean that)&#8230;.</p>
<p>personal inventory<br />
wallet (containing a small fortune of 60 american dollars)<br />
10p (not exchanged for lady luck)<br />
a comb<br />
handkerchief (used for sweat and&#8230;other)<br />
pocket knife (unless things got rough)<br />
&amp; a book of matches (for after the deal was sealed)</p>
<p>i was ready&#8230;. as i would ever be&#8230;</p>
<p>Nicolau greeted me warmly as he always does, exchanged the usual pleasantries and ushered me into his suite. joined there by three  men sitting in the lounge of the room, a shadow of a man sat in the corner by the phone, and yet another dark figure poised in a chair by the large window, the drapes open a small bit. he was wearing expensive looking sunglasses that glinted in the afternoon light,  the devils wink&#8230;.</p>
<p>myself and four nicely dressed men sat before an ample table discussing small things, laughing, drinking american liquor and telling small stories, what brought them to this stucco, terracotta upon sand and all that&#8230;.it was true camaraderie and greatness assembled at this table&#8230; a small, well endowed army.</p>
<p>there were two russians, definitely eastern european, their names ended with the letter R so my best guess was, Russia. the third, rather quiet, was european but not immediately distinguishable&#8230;. my guess in proximity to Nicolau.. Mediterranean. it wasnt important&#8230; everyone&#8217;s accented english clicked and whirred enough to make one believe they were on a train&#8230;the trip to this point, charming.</p>
<p>&#8220;Diamonds are forever friend&#8230;&#8221; Nicolau began, opened his suit jacket and placed a small revolver on the table, which immediately stopped the small talk. the deal had changed&#8230;</p>
<p>&#8220;yes Nico, ive not brought my pistol today, would have caused quite a stir at Kennedy Airport, though i dont think they would have minded much in Texas. why are there no direct flights from London to Texas?&#8221; &#8230; i laughed attempting to break the mood. i might as well have broke wind&#8230;</p>
<p>&#8220;Lets make this short, we&#8217;ve all many, many things to do the remainder of our time here. You have made the choice to come and we are very happy you have. What you have brought with you is very important to us&#8230;&#8221; Nicolau was completely transfixed at the center of my chest. Did he notice that i had been caught off guard? my heart beating  miles out of my chest? he knew the suit was fake&#8230;</p>
<p>&#8220;Yes Nico I have what you wanted, and i came so quickly because, we are friends. And, the fee.&#8221;</p>
<p>&#8220;Of course, of course the fee, the fee&#8230;.&#8221; Nicolau glanced to the very quiet fellow who now shifted his position within his seat, now in a position of power..</p>
<p>&#8220;Can i see it?&#8221; Nicolau softened&#8230;. glanced again over towards me as if we were fishing a small stream, as we had done so many times when we were lesser, younger men.</p>
<p>within my suit jacket pocket, i carefully removed the matchbook i had kept so heart close&#8230;. Nicolau knew it. i placed the small match book on the table, unfolding slowly&#8230; a small, carefully squared piece of note paper withdrew from within&#8230;</p>
<p>the collective eyes widened&#8230;.one of the Russians grunted&#8230;  i unfolded the small note, placing it upon the table&#8230; Max Shreck, (whom i nicknamed) the diminutive man all of a sudden was a lion.. he too reached into his suit jacket pocket and placed a small revolver (german made) onto the table, along with a small piece of paper, similiar if not identical to mine&#8230;.a very strong suit<br />
things were beginning to change.</p>
<p>the two russians also produced small pistols and placed them on the table, the cache of weaponry within very easy reach of everyone but myself&#8230;..things were changing even quicker now&#8230;</p>
<p>&#8220;Can you read these two notes please&#8230; for me?&#8221; Nicolau asked calmly as if he had asked me to compare two comic strips over morning tea and scones&#8230; the fucking bastard&#8230; Max Shreck nudged the two notes toward my direction with the nose of his pistol..</p>
<p>the notes fluttered slowly, accidentally, off the table&#8230;. with a lunge in my quiet desperation i tried to help the situation (i am english therefore helpful)&#8230;.. the armed men quickly snapped for their pistols and there we were&#8230;. in state, as if just crashing several cars together at once<br />
&#8220;JESUS CHRIST NICO what the fuck is this?!&#8221;<br />
the back of my neck was completely drenched in cold Nevada sweat, easily matching the rooms tone. i commandeered the notes and returned to the demilitarized zone, race track paddock of the table<br />
&#8220;They are the same&#8230;&#8221;<br />
things had changed</p>
<p>the dark figure in the corner received a very well placed phone call, answering the question in a language i didnt recognize&#8230;<br />
things had gone horribly&#8230; horribly wrong</p>
<p>back through hells&#8217; gate of the golden nugget, myself, Nicolau and my new accented &#8220;friends&#8221; made our way towards a waiting, chauffeured long car. i was less joining with this group than escorted. Maximum Shreck now loomed very large in my periphery&#8230; he stayed uncomfortably close to me.</p>
<p>we drove for a moment (we could have walked) and arrived through a gapping clowns mouth to the Circus Circus casino, exited our prestigious black car and walked inside this romping, bellowing mountain. we could have been the New York Cosmos at that point, hustling with grand purpose through the casino arriving in the show room, and took two tables beneath a high wire act&#8230; happening above us&#8230;</p>
<p>Nicolau sat very closely to my left and suddenly shoved a pistol just below my rib cage, underneath the table&#8230;<br />
&#8220;Youve been bought out friend.&#8221; he slurred.<br />
&#8220;I&#8217;ll call the CIA Nicolau, dont think that i wont. I WILL fucking call them. I have nothing to lose and EVERYTHING TO GAIN&#8230; i will call them.&#8221;</p>
<p>Nicolau punched the pistol further below my ribs as if probing for oil&#8230;<br />
&#8220;If you survive this, give your friends a call. maybe you can work for them&#8230;&#8221; a wrinkle of a smile pursing across his face&#8230;</p>
<p>A blonde cocktail waitress approached the now loud Russian contingent ( had vodka between casinos) at the adjoining table, whispered something very quickly to one of the men, glanced at me, glanced across the room and walked hurriedly away. it certainly wasnt an order for my vodka&#8230; Nicolau looked towards the circus performers above us, now doing a completely asynchronous trapeze act with grace, dignity, and ease&#8230;. they looked Russian too..</p>
<p>&#8220;Not so unlike what we do&#8230; is it friend?&#8221; Nicolau introspected.</p>
<p>upon the rooftop, the sun began to sulk lowly over the western hills, it was rather comforting, if not strangely beautiful and familiar, as the image is popular on touristy postcards pelted all over this god forsaken fucking cow town. Nicolau, myself, and Max watched a helicopter approach the heli-pad from the distance, its blades cackling at me as if the bird knew exactly what was going on&#8230;. it might be the last thing i ever, ever know&#8230;. i stood daydreaming that the moon, on this night, would hang high, giving me something to look up at, rather than eternally looking down over this, or any other tall cliff</p>
<p>&#8220;i&#8217;ll fly away, oh lordy lord&#8230;. i&#8217;ll fly away&#8230;.&#8221;</p>
<div>and i thought of England and why the fuck did i ever, ever leave&#8230;</p>
<p>The left side of my body and soul hurt&#8230;. crushed badly.<br />
Nicolau, strode very confidently beside me&#8230; the helicopter now very very close to us, its turbine drowning out and washing away&#8230;</p>
<p>&#8220;the house always wins friend&#8230;. the house always wins.&#8221;<br />
and flew away&#8230;.</p>
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